Al Post Deicide-The Stench of Redemption, Post By Ahmad Constantine On Day Tuesday, 1 November 2011.Thank's to read this post. Ahmad Constantine Stay Underground Music Mp3 All Mp3Black Metal Gothic Metal Doom Metal Brutal Death Thrash Metal Folk Metal Death Metal Metalcore Etc. Cara belajar iqro. Deicide - DiscografiaTHRASH METAL DOWNLOADSDeicide - Discografia. 2006 – The Stench of Redemption 2008 – Till Death Do. Link: Torrent Download.

As has been well recognized, this sampling shows that Deicide has taken a drastic turn. It has been received as a surprise, and such a change needs to be discussed in light of what once was. This is the moment for time for longtime fans to look at where Deicide has been and compare it against where they are going, before deciding if they want to come along for the ride.

The purely musical change is the most obvious one. Riffs will be comfortably familiar to fans who have followed the band's progression, for example 'Homage For Satan' echoes 'Serpents Of The Light' during one transitory riff. These songs at their core aren't much to get excited or distressed about, if this record is your first taste of the new Deicide you will make it through a fair amount of the first track without raising an eyebrow. Then the solo kicks in and you'll realize that this isn't what you signed up for. This is a death metal supergroup, and as that label suggests there are two conflicting outcomes: a significant opportunity to showcase virtuosity has been realized, but this exhibition has become the focal point of the exercise. It's hard to imagine that any sort of holistic songwriting approach was in use here. At there core, these songs are the same Deicide we've been hearing for over a decade.

They lack the narrative ambition of the debut, and they do not trade it for the rhythmic intricacy of Legion. This isn't the classic Deicide sound of the first two albums; this is the sound that has come from them since - simplified, streamlined and aggressive.

The unique aggression displayed by Deicide is the one element that has remained constant throughout their career, with different levels of character layered upon it: in the classic era it was a certain irreverent perversion, in the depths of the contractual obligation era it was a self-aware playfulness; everywhere else it has been a workmanlike banality. In essence these songs are a reattempt at the comeback SOTC was supposed to be, with Deicide being serious again and no longer going through the motions.

That album was a good try, with the fun side of the band intact along with a return to that early perversion conveyed through a dissonant melodic assault over a violently percussive foundation. But it seems that a return to form wasn't enough, or at least that when the band got there it wasn't quite as glorious as they had imagined it would be during those long Roadrunner years. So instead of refining the old approach, it has been thrown out the window along with half the core lineup. Back to that holistic approach - the Hoffmans at their best created leads that weren't focal points, but part of the greater narrative direction.